Bastion NPC (
bastionpc) wrote in
thebastion2013-05-30 08:28 pm
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Day 72 :: [OPEN]
Who: Everyone
Open: Open
When: Day 72
Where: The Skyway
What: Out on the Skyway is a farm. On that farm are supplies and plot coupons.
Format: action
Warnings: cows
[On day 72, whoever happens to be exploring the Skyway will come across a farm! It is rather large, with several overgrown fields, a huge barn, some chicken coops, and a farmhouse.
It is undisturbed for the moment, though it would be advisable to make any stop here quick. Monsters are never that far away.]
((OOC: There will be several different areas each character can explore and find things. Please choose only one area of the farm per character for your characters to participate in. Your characters can interact with anyone else in that particular area.
Teamwork may be needed to accomplish goals in this post.))
Open: Open
When: Day 72
Where: The Skyway
What: Out on the Skyway is a farm. On that farm are supplies and plot coupons.
Format: action
Warnings: cows
[On day 72, whoever happens to be exploring the Skyway will come across a farm! It is rather large, with several overgrown fields, a huge barn, some chicken coops, and a farmhouse.
It is undisturbed for the moment, though it would be advisable to make any stop here quick. Monsters are never that far away.]
((OOC: There will be several different areas each character can explore and find things. Please choose only one area of the farm per character for your characters to participate in. Your characters can interact with anyone else in that particular area.
Teamwork may be needed to accomplish goals in this post.))
FARMHOUSE
What part of the house will you explore?]
Re: FARMHOUSE
While supplies would be important, his first concern is securing the area and making sure it's safe. Then he can worry about the rest of it. So... he makes his way into the farmhouse, cautiously investigating it and planning to make his way to the bedrooms. If he makes it there, he'll start investigating there- see if he can find any clues about the inhabitants, former or otherwise, and who knows? Maybe there's something useful in there. Hard to say.]
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This just results in Crona walking behind Osahar, peering into the rooms and looking around.]
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There are four bedrooms total. One has a larger bed than the rest, clearly meant for two people. Two of the others are full of toys and bright colors, obviously meant for small children. The last looks mostly unused, though it does contain a bed and an empty dresser.
In the largest room, with the big bed, there is a box hidden under the bed. If either Osahar or Crona looks in it, they will find some handwritten letters, all dated with dates that seem to run on an entirely unique calendar of its own. But if they compare the numbers, they're all within a relatively close range of numbers.
The contents of the letters are impossible to read without knowing the language, and they are partially water-damaged. But, most interestingly, there is a page with a diagram of some kind of machine on it.]
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Doesn't seem like there's anything here, though. He notices the gouges and the damage to the door, and the obvious intelligence there worries him. Clearly, there's something out here that's more intelligent than the creatures that they normally encounter. He can only hope that they encounter it somewhere that they won't suffer the consequences.
The children's rooms get a good once-over, but eventually Osahar makes his way to the bedrooms, and while searching there...] Ah hah... there we are...
[He grins as he carefully examines the box and the bed for traps- one can never be too safe- and then puts it on the bed. The fact that he can't identify what's written down doesn't bother him at all- quite the contrary!] I think we've found something very interesting, Crona. I'll have to take this back to Nathaniel.
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The children's rooms get most of Crona's attention. Toys and bright colors and small beds made for little children.
Crona has never seen rooms like that, and just stands in the middle and looks around while Osahar examines the room.
Osahar leaves and goes to the room with the largest bed, and Crona follows, still distracted by the idea of the children's rooms.]
Ah... [Crona jumps slightly when Osahar speaks.]
Research notes... [Crona doesn't know about letters or journals.]
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No, if he had to guess...] I think they're letters. The language is similar to something I saw earlier, though- we can get this translated and find out for certain.
[He carefully puts all the papers back into the box, then tucks it under his arm.] I'm probably not going to be able to carry much more while I'm looking after this. Why don't you take something as well, and we'll head back?
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The little one's rooms. I'm going to look there. [Crona saw toys, soft things like pillows in animal shapes. There might be a dragon.]
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... pass.
[Crona's just go back and look in the toy box.]
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...the toy box...? Why would he look in there...?]
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It... it might be... nice. Taking some of these back , you know? They're like pillows.
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It's not very exciting, just a little kid's book, a story about a bunny jumping into little containers of brightly colored dye and turning different colors. Red and blue turn the bunny purple, red and yellow turn her orange. Just a little story about colors, written in a language Crona doesn't know. The child's mother probably read it aloud, teaching her little one about colors and letting the child turn the pages.
The child's mother was probably very kind. The child's mother would never have given them just one book, a book about every way to kill a person.
Crona's hands are shaking.]
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Yet Crona's clearly affected by this. So then... Osahar asks the question, as kindly and gently as he can.] What is it, Crona?
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I had one book, when I was little. Just one. A book of how to kill. Every way to kill a person. That's the kind of book I read, when I was little, like this child was little.
She made me kill things. Little things, when I was little. I said no, you know? I told her I didn't want to kill the little one. Then she threw us in the room for days. We didn't have any food or any light.
Ragnarok got angry at me. My blood is black.
Then I killed it.
... This child, they didn't have to kill anything.
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He can't do anything about the past, though. The damage there has been done, and Osahar can't change that. But... perhaps... he's not the best at verbalizing things like this, but he reaches out his hand, hoping that Crona will accept a hand on his shoulder, like he did last time. 'I'm sorry' feels like a pathetic thing, even if Osahar is sorry that Crona won't get to experience what he should have. And blithely promising a brighter future here seems hollow at best. So, in the end, he can only be there, and hope that the young one gives him something to work with.] Crona...
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But Maka killed her. I couldn't. She... she did horrible things and I hated her but she was my mother.
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...you're still young, you know? And this world is a new start for all of us. [Now that he knows even more about what Crona's gone through... what he really wants is to help Crona experience something better. Some semblance of a normal life.]
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A new start.]
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L-let's go back then.
[Back to the Bastion, the new life.]